Color palettes were all the rage a few years ago and I’ve loved them this whole time. Throw in that these particular ones are national parks-inspired, I’m just in heaven.
This piece from the Society6 shop WEAREYAWN is this week’s thing I wish I’d designed. A big reason I picked it is because Friday afternoon I’m leaving for a quick camping trip to Canyonlands. There aren’t a ton of trees or mountains down there, but the spirit is there. (EDIT: The reason I never posted this was because I was too busy getting all my belongings together for said trip and it was absolutely lovely and mind-blowing.)
Design doesn’t need to be bright and ostentatious and maybe a little in your face to be good. That’s the beauty of neutrals. It lets the design speak for itself. It lets you take in the design as a whole as there is not one particular color drawing your attention to a specific aspect. Sometimes that’s what should happen and one color should draw people in. But other times it’s nice to have something understated, at least when it comes to color choice. And with a piece that this that is nature-centric, the neutrals remind me of, well, nature. And that feels like I’m getting a hug.
I found this design a few months ago and fell in love with it because A) camping and B) glorious use of white space. The design is simple and little and just chills in the middle like that’s exactly where it’s supposed to be and nowhere else.
When I first started designing, I vaguely understood the concept of white space. I knew that it should be there and I could identify when other people used it well, but I myself could not figure out how to implement it nicely. (I’ve always seemed to like when the kerning and tracking of letters is pretty tight, so that didn’t help either.)
Until one day I just could. Suddenly I could feel exactly how things should be placed to create a white space balance.
Well, not really. I designed a lot of ish and tried a lot of things before I really knew how to create good white space on my own, though it really did feel instantaneous. Once I had white space figured out, I realized how much I adored it; minimalism is my jam and so is white space. Less is more has become my design anthem. (It’s probably gotten to a point where I should start mastering artful/constructive chaos when it comes to design. Creating a busy design literally causes me anxiety.)
White space and minimalism don’t always go together, and it’s not that you can’t have one without the other, but I find that minimalistic things tend to use white space pretty liberally.
I’ll end with this quote from Adrian Frutiger:
When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. […] Thus I also grasped that the empty spaces are the most important aspect of a typeface.
Check out Connor’s other designs on tumblr; though they aren’t plentiful, they’re all great.
My apologies for not posting last week. I was a little preoccupied organizing and packing my belongings for a weekend trip to California for the USA/Mexico CONCACAF Cup match.
The art I’m featuring in this week’s Design Dreams could also fall under the umbrella of minimalism (I just love the basics), but this is really all about distressed designs.
The worn concrete look these have is awesome. It’s used with subtlety, but it still makes you think if you put your hand up to the computer screen you’d actually feel old concrete or brick. That’s when you know someone has done a good job with a texture.
The thing you have to be careful about when creating distressed designs is overwhelming the actual content. Sometimes there’s so much “texture” that anyone looking at it won’t pay attention to the rest of the design. As you can see, these minimalist NWSL logos have incredible balance between texture and content.
The only issue I have with these is that there isn’t one for the Houston Dash. (Shout out to my defender role model Meghan Klingenberg.) Granted, these were made two years ago, meaning the Dash didn’t exist yet.
Sadly, the designer of these hasn’t posted anything new in multiple years (at least on that blog). But check out her tumblr anyway.
I’ve loved a lot of things in my almost 25 years of life, but few things I have loved as ardently as I love the boy wizard. As I’ve come to get involved in graphic design, I’ve realized there are few things I love as much as Harry Potter-related design, and this week’s Design Dreams post is a perfect example of Harry Potter-design capturing my mind and heart.
Risa Rodil made this poster for the Harry Potter Alliance’s 10th anniversary.
I’ve fallen in love with basically all of Risa’s work. Her lettering is always so perfect and she does an incredible job integrating small aspects of books/movies/shows/anything into her posters. The raised wands, the lightning bolt heart (which is the HPA logo) and snitch clearly relate to Harry Potter but still come across in a very minimalistic way. People who know Harry Potter will immediately spot the references, but those who don’t know the quote, or the symbols (though I’d hope they could recognize the wands as relating to magic/Harry Potter in some way), will just think it’s a nice poster. This is one of my favorite design aspects, when things like shirts and posters could almost be construed as “inside jokes” with admirers and fans.
To help the HPA keep doing kickass things, make sure to check out their Indiegogo, which is still going for another 10 days. You can even get this poster as a perk!
These Parks and Recreation-inspired posters light up my world. First, they’re puns. Second, they’re puns from Parks and Recreation. Third, the greens are exquisite.
Considering each of these puns are rules from the Pawnee farmers market, it makes sense that each of them utilizes a lot of green. But it’s exactly how those greens are used that makes these posters amazing to me.
In the “peas” poster, both greens used for the word peas are reminiscent of actual peas. In the “romaine” poster, the fading greens used for the word romaine are reminiscent of lettuce. In the “bay leaf” and “olive” poster, the word olive uses (duh) olive green, and the red is reminiscent of a pimento. (The addition of the pimento aspect makes me absolutely giddy.)
These things are integrated so nicely that you might not even realize at first how the colors are meant to coincide with the specific foods mentioned. When things just look nice, we often get “distracted” and don’t look further than that. And a lot of the time that’s totally awesome and fine! It’s nice to appreciate when something looks nice. But I also love admiring the nuances designers put into a piece. The intentional things that we so often perceive as just there to look nice are such a treat to find and talk about.
Overall, the use of contrasting greens also makes these posters work so well. Using the “same color” doesn’t have to be boring in the slightest when you consider all the shades and hues there are to choose from.
As summer winds down I can’t help but think of baseball. And when I think of baseball and summer I inevitably think of a beloved movie from my childhood: The Sandlot.
This poster by I AM CRIME is a perfect example of why I love when text is not only centered but also justified. Blocks of text, when they have the appropriate tracking, kerning and leading, are quite pleasing to the eye. Justifying text is something I wish more people would do when creating designs that rely on central alignment. It’s such a simple adjustment that can totally change how a flier, poster or announcement feels. It really helps to make things feel less amateur and, well, not as boring.
Blocks of text like this also remind me of art by Piet Mondrian. (Seeing his work in real life at MoMA? That was by far one of my favorite parts about living in New York for an internship. And I did some pretty cool ish while there.)
My other favorite aspect of this piece is how the bottom of the “triangle” is A) reminiscent of a baseball diamond and B) pointing to the quote. It inherently and naturally draws the eye to the text. I love when pieces include this type of direction.
Check out more work from I AM CRIME on their Society6 page.
I try to be a minimalist in a lot of areas of my life, but it shines through most brightly when it comes to graphic design. And that’s why I find myself drawn to other people’s minimalist work.
As is clear from my last few posters (LFC, Tottenham, Leicester), I’m a huge soccer fan. Few things make me happier than watching Premier League games way too early on Saturday mornings. When I saw these minimalist soccer club logos by Daniel Nyari, I about died of happiness.
Each one perfectly captures the respective clubs, which is especially important when it comes to minimalist design work that’s a re-working of an actual logo/crest. People should still be able to identify what it’s being derived from. Just like soccer, beauty can be derived from putting together a few simple strokes/passes. That’s one thing I wish more people would realize about design: It doesn’t have to be busy or overly intricate to be beautiful and tell a story. Less is more!
I’m not particularly well-versed in Illustrator, but these designs make me even more eager to keep learning. (I’m not exactly sure it was used to make these, but the motivation is there nonetheless.)
Check out Daniel’s work on his society6 page.